My work explores the relationship between new class identities and romance tourism.
With influences as diverse as Munch and John Cage, new variations are synthesised from both constructed and discovered meanings.
Ever since I was a student I have been fascinated by the unrelenting divergence of relationships. What starts out as vision soon becomes corroded into a hegemony of defeat, leaving only a sense of unreality and the possibility of a new beginning.
As shimmering phenomena become transformed through studious and personal practice, the viewer is left with a testament to the inaccuracies of our culture.